We are blessed with so many stunning river and stream subjects of great variety in the UK, and whatever the weather may throw at us there is something truly pleasurable to sit beside a bubbling brook or fast-flowing mountain cascade. These features can also make excellent lead-ins to an interesting focal point, and there is something almost lifelike in a moving stream.
For the misty effect use plenty of water and build the scene up gradually, dropping the blue-greys or green-greys of the distant trees into a damp area to create lovely soft edges where tree masses appear and disappear into the mist. By placing hard-edged forms with strong tones such as those just above and to the left of the crag, in front of misty passages you will create a powerful sense of depth in the painting.
On Monday 29th April Jenny Keal and myself will be demonstrating for Holderness Arts at Burton Pidsea Memorial Hall, Back Lane, Burton Pidsea HU12 9AN, from 10am to 3pm. I shall be doing a watercolour demonstration in the morning and Jenny will be carrying out a pastel demonstration in the afternoon. Information and tickets are available on 01964 670269 or from the Burton Pidsea shop. Tickets won't be available at the door on the day. Do come along if you can. We will have books, DVDs, art materials and a number of paintings for sale, and are happy to answer your painting questions.
Monday, 22 April 2019
Monday, 15 April 2019
The above scene shows wildebeeste startled by a lion during the annual pilgrimage across the Serengeti, when the line of wildebeeste runs from one end of the horizon to the other. The lion watched them with indifference, probably having eaten so many he couldn't face any more for a while! I enjoy working on a narrative like this, where there is more than just the visual image. To make the main animals stand out I deliberately simplified the ground directly behind them. Fast movement is depicted not just by blurring the legs slightly and placing them in running positions, but also by the angle and attitude of the body. This is at its clearest in the two beasts 3rd and 4th from the left, where they are moving away from the viewer and their bodies are slightly leaning over to the left as they turn away. The painting was done on Saunders Waterford 140lb rough paper.
Some folk may wonder why I don't use Facebook, even though there is an account in my name (which I don't use). I find it almost impossible as I live quite an action-packed life with little time to spare - in fact I don't paint so often these days because 21st-century life just is too demanding of one's time. Technology is supposed to make life easier for us, but I find it just adds an extra burden, being so incredibly slow and error-prone. It's much greater fun to be out in the wilds or at least brandishing the old-fashioned paintbrush somewhere nice and remote.
Tuesday, 2 April 2019
The gallery is at Manor House in High Street, Beaulieu, Hampshire, SO42 7YA and the telephone number is 01590 612089 Check out the website at www.beaulieufinearts.co.uk
I've just returned from an exciting trip to the Lebanon, returning with bagfuls of sketches. I encountered much dramatic mountain scenery, incredibly deep snow, amazing Roman ruins and not least so many kind and friendly people. And of course, the food was outstanding, and sometimes overwhelming, as when I went into an Iraqi restaurant for a lunchtime sandwich and ended up with seven courses - all at once!