I have a great affection for rural lanes, especially old rutted cart-tracks. While they are superb for leading you into a composition they are also excellent subjects in their own right. When I plan a sketching trip I often seek out winding lanes on the walking map, and where they lead to an interesting-looking subject such as a mountain or hill, then there is a strong chance of a good subject.
The painting was done on a sheet of quarter-imperial Saunders Waterford rough paper, a beautiful surface to work on, and the rough surface enhanced the track, especially where I used drybrush strokes.
It's been all-action since my last blog, from the marvellous annual festival at Patchings in Nottingham's Robin Hood country where I demonstrated the Saunders Waterford papers for St Cuthberts Mill, and had the pleasure of meeting a lot of you. I've also just returned from an immensely rewarding trip to Germany, so that has a lot of potential for some great artwork.
I do hope, like me, you've enjoyed this amazing summer and made full use of it with your paintbrush!