Once again, autumn is with us, and the opportunity to indulge in bright, warm colours in our landscape paintings. This time last year I...

     A few weeks ago I received an interesting query about how one determines what colours to use in response to a landscape. I could write ...

          Mountains are often best painted when you can't really see them - that is, you can't see very much of them as they are mos...

     Last week the Patchings Art Festival lived up to its usual high standards: it was a great pleasure to be demonstrating before the enthu...

     As landscape artists we often see far too much in a scene for the good of our painting, and slavishly copy as much of the detail as we ...

     With so much happening at the moment it's not easy to remember everything I need to say, so chaos is reigning here. My exhibition A...

     In any painting, if you include everything you see the result will just be an overworked photographic version. While some people apprec...